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Nostalgic Sky..

Nostalgic Sky..

Publié le 7 janv. 2022 Mis à jour le 7 janv. 2022
time 3 min
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Nostalgic Sky..

Words, feelings or desires do not come out of nowhere, but rather they come charged with a state of long silence that preceded them and paved the way for its existence, and we all search in this life for our dream, for ourselves, for our passion,so we travel in the music of the universe in search of our voice until we hear our melody, whispering so we are screaming.. we found it..

So Our feelings are intertwined with what is around them like the braids of a Girl playing in the rain or like trees intertwined in the Amazon forests,so they smell the fragrance of freedom and eternity in a moment that resembles the kiss of life between the silent yesterday and the loud dream that reborn us on the threshold of self-love and diving in its worlds,some find themselves in the company of the pen,Some with a paintbrush, some with a camera..

But the company of the camera has a special charm and a unique language that combines the sharpness of words, the tenderness of feelings, the accuracy of meanings, and the sound of the situation that expresses them, So It conveys it in its multiple dimensions,embodied in snapshots that froze the moments, but gave it a whiff of immortality and permanence, And when these concepts meet with a heart that loves those values and understands its land, its composition and its environment, it presents it as it is..with its spontaneity, with its smile, with its tears, with its vicissitudes to show the beauty of being yourself and your truth without being pretentious, it resembles a voice that harmonizes with its echo and meets life to shake hands with it despite all that it took from it. For sure, you will see a charming scene from Egypt through the lens of the Egyptian photographer Amira Al-Ghandour..

None of us can deny that the media presented Egypt with one face most of the time, despite its importance, which is the face that represents the Pharaonic civilization, even though it has many beautiful faces that are no less important than it, The image of a great country that has many characteristics, features, cultures and ethnicities was standardized in a few pages of a huge volume, and in parallel with this reality there was sometimes a kind of imitation of the Western style and an attempt to insert it into the Egyptian image It was not well received except in limited circles, and with the new generation of young photographers in various Arab countries and in Egypt, it began to absorb the differences between the past and the present and take advantage of modern technologies to present a realistic and natural image, that really resembles people, characterized by simplicity and craftsmanship at the same time..

And we can say that Egypt returned to its lovers through the creative youth who understood the place of Egypt in this East, so they conveyed its oriental spirit, not orientalism, through their works and their lenses, We notice that Amira Al-Ghandour’s work resembles Egypt, its land, women, children, fragrance, spontaneity, and cultural heritage that no one can feel except when he sees the landmarks of ancient Cairo, And its (real) popular homes and neighborhoods, its architecture and its spirit that are reflected in people’s faces, which were absent for a period of time and returned shining without the need to beautify them, because their windows and drinks tell the story without words, And because its sky is covered with clouds of nostalgia and grief, it keeps the secret and does not reveal it to human beings, and it looks like a puzzle that is impossible for anyone to solve..

In her travels through various Egyptian regions, photographer Amira Al-Ghandour deals with very selectiveness with faces, places and people, and with a special sensitivity to the sun and light, which present a charming and human scene that caresses the feelings and brings back many childhood memories that do not come alone, but rather surprise us with her own music and various characters on the memory stage that only us see..

We can also say that Amira Al-Ghandour’s lens is mature enough to make her choose the image away from the commercial standards or the popular methods used by many photographers today..

So she chose to slow down in her steps and present what she feels, no matter how little in terms of quantity, but it has depth, warmth, honesty and naturalness to choose her way quietly and without any hustle, reflecting the beautiful and distinctive face of Egypt, whose beauty lies in its simplicity more than anything else..

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